I published on the academia.edu our project Ryzyka: A Curated Conversation, created in co-authorship with Irina Oktyabrskaya, Valeriy Klamm, and Craig Campbell. This work came out on the website of Cultural Anthropology. This is the opening entry of the collaborative project between Cultural Anthropology and Visual Anthropology Review, titled “Writing with Light” and meant for publishing photos(+)texts. My contribution as I saw it, was to ask on the ethnographic Siberian material, or rather “to continue to ask,” to use the Derrida’s expression, the question: What is the difference between photo-essays and visual (anthropology) essay?
“In our framing of this photo-essay, we let our conceptual approach revolve around affect rather than historical meaning. We are interested in situating the reader in the midst of a carefully assembled collection. We want to invite her to navigate an assemblage that renders multiple superimposed stories of life, that neither subordinates the rich complexity of the world made visible through photography to a single hermeneutic goal nor abdicates the role of critical description. Historical frames are hinted at, but are ultimately secondary to a visually rich narrative of everyday life that punctures through the social orchestrations of annual festivals and holidays. In addition to its focus on affect, the photo-essay composes a kind of story that refuses any attempts to extract form from content: neither is available for perception, as it were, without the other element.”