Pink Girlhood (Stenography of the Itinerary 83)

Connection between the mother and the daughter is a special connection, full of warmth, hope, and care. In the pink room that Catherina created for her daughter with a rare, mellifluent name Evelina, all dreams should come true. Fairies, unicorns, barbies, princesses, and all the inhabitants of the world of wonder, world of fairy tales, would witness the growth and development of the happy Evelina’s life.

The girlhood. The desire that the happiness would come true, is so pronounced.

The soft light envelopes the tiny figure on a toy horse. And it seems like all the pink shine in the pink room emanates from this source of light.


The pictures are taken by the author in the village of Anosovo, Siberia

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Anthropology of the Everydayness in the Izmaylovo Gallery in Moscow, 03/26/2017

http://vasilinaorlova.tumblr.com/post/162236811220/anthropology-of-the-everydayness-talk-at-izmaylovo – photos

https://www.academia.edu/33676442/Антропология_повседневности – text (in Russian)

“Aнтропология повседневности” – текст выступления в галерее “Измайлово” в Москве 23 июня 2017 года. О методах антропологической работы, автоэтнографии и о субъективности антропологического знания, не означающей, впрочем, произвольности. Об использовании поэзии как научного метода.

In this talk on autoethnography, anthropological methods, and subjectivity of anthropological knowledge (which does not mean arbitrariness), in Moscow on the 23rd of June, 2017, I am mentioning Courtney Morris, Chelsi West Ohueri, and S.C.

Thank you for your all-defeating radiance.

Robots Between the Past and the Future

Сегодня на 12-ом Конгрессе антропологов и этнологов России, проводимом в Ижевске 3-6 июля, был прочитан мой доклад “Робот: фигура будущего или ностальгический объект?” Читала его Elena Sokolova. Спасибо ей за это, а организатору, Sergey Sokolovskiy, – за приглашение участвовать.

Today at the XII Congress of Anthropologists and Ethnologists of Russia in Izhevsk, conducted in the 3-6 of July, my presentation
was delivered. It is titled “Robot: a Figure of the Future or Nostalgic Object?” It was read by Elena Sokolova. I am grateful to her, and to the organizer Sergey Sokolovskiy for the invitation.

Summoning

Summoning Ghosts: Mutant Sensibilities and the Politics of Haunting

I am going to devote this writing to claiming the existence of instances and procedures of summoning. People summon certain discourses in order to establish the narrative of everydayness. I offer this term, summoning, as defining the evocation, mobilization, or materialization of the past. Different actors conduct such evocations with a goal, whether conscious or not, of influencing the present and changing the delineation of the future. For instance, the state summons a “glorious past” to create a sense and feel of national unity at the face of some threat, oftentimes fictional. An example of such threat might serve a foreign influence which seeks to corrupt Russia through imposing the politics of acceptance of “homosexual body” (Somerville, 1994). An ethnographic center of this essay will be a case of “mutant sensibilities” in Bratsk, to which we will arrive shortly. This episode will be analyzed in connection to a sci-fi novelette by Ivan Yefremov “Nur-i-Desht Observatory,” first published in 1944 in the Noviy Mir literary journal and then republished several times; it was also translated. In this short story, a group of scientists, including an archeologist, a geologist, and a “professor,” are working on the remnants of an ancient observatory. There, people feel an unusual rise of energy in them; the ruins make them happy. Soon they find an explanation for their joy. Radium used in the details of ornamentations is what impacts the organisms in a positive manner and makes humans feel good. At the time, it was unclear whether the influence of radiation on humans is positive or negative. These “mutant sensibilities” summoned suddenly in 2017, are the examples of the use of a certain narrative that people create and uphold, for them to work around the pollution of the atmosphere. The literary story functions as an example and a counterpoint, providing a historical context to this particular way of summoning.