Field Notes, Summer of 2017 in Siberia

During this summer I spent as much time as it was possible in Siberia. I brought notes from there, that I now offer to your attention. I hope to work on the photographs that I took; some of my best shots were taken there this year.

Without further ado, Stenography of the Itinerary on the

“Suddenly (and I have to fly tomorrow) I am not excited to go to “the field,” which is also “home.” The distance is never a stable measure. The distance grows. With time, it deepens. I am clinging to things: a kerchief that I have not been wearing for months, I definitely need to take it with me. All the colorful pens. All these books I have not finished. The pages of handwriting I did not have time to type; I am spending the last day before the departure trying to determine what I might be missing the next day. A futile wonder. I will miss nothing in particular and everything at once, but I probably will also be too occupied with what immediately arises in my sight to ponder over anything that I have left.

My phone is suddenly broken, of all things–my phone, which prosthetic qualities are never as evident as they are now, when it is not “here,” out of order. I suspect that I inhabit the screen: Evernote, messengers, colorful icons of familiar apps–icons and anchors of familiarity itself. To go without the phone, a false body member, is to be derived of the instrument, of techne, of the possibility of art, which is only available through technology. To have a new phone on the eve of flying from one country of another is more like changing planets. Now I will have to spend at least two hours and likely more recalling all the passwords that open myself to myself.

Derrida doubtlessly did not anticipate the development of technology which by a peculiar twist favors writing–for the first time in human history writing seems ubiquitous, everyone is writing, it is not going to last long, I think, when the advance of video will take over. Derrida issues old-fashionable laments on the death of love letters (as a genre) that he predicts tirelessly in his own love letters–little did he know. He would have been thrilled by sexting.

Itineraries deprive one of that little sense of home which one might possibly have after having moved from one hemisphere to the other. Every travel is a little bit of death, death foreshadowed, half-disclosed, hinted, promised–a rehearsal of how you’ll leave everything at once on a certain day to come. The inevitability of it is monotonous: it is not the event itself but the inescapability of it which is gruesome. To think about all the orphaned objects you will leave, and of the facelessness, the indiscernibility of these objects.”


read the rest here:

Pink Girlhood (Stenography of the Itinerary 83)

Connection between the mother and the daughter is a special connection, full of warmth, hope, and care. In the pink room that Catherina created for her daughter with a rare, mellifluent name Evelina, all dreams should come true. Fairies, unicorns, barbies, princesses, and all the inhabitants of the world of wonder, world of fairy tales, would witness the growth and development of the happy Evelina’s life.

The girlhood. The desire that the happiness would come true, is so pronounced.

The soft light envelopes the tiny figure on a toy horse. And it seems like all the pink shine in the pink room emanates from this source of light.

The pictures are taken by the author in the village of Anosovo, Siberia

“A Tale of a Young Woman”

“Everyday Life, Geoengineering, and the Industrial Spectacle in Soviet Siberia” talk at the AATSEEL meeting 2/4/2017, San Francisco
This is the first time I talked publicly in such detail about a story written down and titled by V. Gavriolov “Bratsk-54: A Tale of a Young Woman,” the story of a young female Bratsk dam construction worker.
It is my honor to make her lost, nameless, inevitably distorted through writing, through translation, voice sound. She was deemed disposable. She wasn’t.

Talks and Presentations in 2016

2016    “‘Village Prose,’ Propaganda, and ‘Human Document’: Contesting Representations of Environmental Transformation.” Talk. Cultures and Ecologies. UT. December 3.

2016    “Archeology of the Robotics: Remnants of Soviet Robots.” Presentation on the organized panel. 115th Annual Meeting of the American Anthropological Association. Minneapolis, Minnesota, November 17.

2016    “Methods in Socio-Cultural Anthropology: Fieldwork.” Invited talk. Center of Russian and East European Studies, UT. November 8.

2016    “Robot as a Subject (Object) of Ethnographic Study.” Invited lecture. Introduction to Cultural Anthropology. UT. October 14.

2016    “Russian Literature on Bratsk Dam: the Human in People-Altered Landscapes of Soviet Industrialization. Presentation. “The Extra-Human” 13th Annual Graduate Conference in Comparative Literature. UT. September 25.

2016    “Russia, USA, and the Islamic World: Multiplicity of Feminisms.” Talk. Feminist Society ONA (“She”). Moscow, August 14.

2016    “Writer’s Change of Language: Nabokov and Others.” Presentation. Symposium on Language and Society. UT, April 15.

2016    “ISIS: Use of Atrocity in State Formation.” Invited Lecture. Expressive Culture. UT. Austin, April, 6.

2016    “ISIS: Active Ruination and Performativity of Public Execution.” New Directions in Anthropology, UT, April 1.

2016    “Late Soviet Childhood.” Futures and Ruins Workshop at Duke University, March 25.

2016    “Pussy Riot: The Contest of Performances and Political Affect.” Utopia and Reality. Gender and Feminisms. UT, March 3.


Tomorrow is my last invited talk at UT in the Fall semester of 2016. The talk is entitled ““Village Prose,” Propaganda, and “Human Document”: Contesting Representations of Environmental Transformation.”

The talk is for the Professor Craig Campbell’s class Cultures and Ecologies. CLA 1.108. The beginning is in 1 PM.

The Human in People-Altered Landscapes

Talk at “The Extra-Human” 13th Annual Graduate Conference in Comparative Literature, September, 25th, 2016; University of Texas in Austin