Sebald, W.G. Austerlitz, London: Hamish Hamilton. 2001
In Sebald’s novel which verges on the border of fiction and nonfiction, the person named Austerlitz appears and reappears in connection to a desperate attempt to grasp the meaning of German concentration camps as perceived by relatives of victims. For Sebald, ruins are allegory of being. From fascination with abandonment and depopulated landscape to mental reconstruction of the stories based on their subtle traces, Sebald is engrossed with the idea of ruination in its historic and mnemonic dimensions.