On the 19th of November at the American Anthropological Association meeting (Minneapolis, Minnesota) I presented my work entitled “Archeology of the Robotics: Remnants of Soviet Robots” on the panel “Affect and the Materiality of Ruins: Radioactive Subjects, Contested Futures, and Evidence of Lost Worlds” that we put together with Magdalene Stawkowski and Kelly Alexander. They both presented their work, as well as Mark Gardiner. Alison Cool was the discussant. The panel enjoyed the attendance of anthropologists, and the discussion was so lively that questions and remarks went for five minutes beyond the time.
The key event of the AAA meeting in 2016 for me was a panel “Sleepwalking Into Extinction: Elaine Scarry’s S.O.S. to Anthropologists” on the same day.
I read Elaine Scarry’s book “The Body in Pain” and used her concept of the room of torture as a tool of torture to extend it to the landscape of torture as a tool of torture, in case of the ISIS performative executions, and was lucky to talk to her about it briefly after the panel.
Elaine Scarry’s S.O.S. is related to un-abolished nuclear weapons. I, as a child of the Cold War, did have nightmares and fears of the world dying in the nuclear catastrophe, which is a shared experience for my generation. It is true that the nuclear threat fell into the background (one of Scarry’s arguments). And it is reasonable to join Elaine Scarry in the statement that this should not be so. For indeed it was Foucault who first noted that the supreme new tool of biopolitics, nuclear weapon, could eliminate its creator. Elaine Scarry adds to that (or reminds)–not only its creator, but all the life on the earth.
I could not help but caught myself on the thought that, as much as the nuclear threat is important and real, there is also a tinge of nuclear nostalgia to the conversation about it. The question for me is: what kind of shared nightmares today’s children have?