Narcissus Taking a Selfie

I posted on my short playful writing on selfies. it is currently under consideration in one new anthropological internet venue; I have not heard from them for a while. I first presented my selfie project at John Hartigan’s class last year as a talk, and here is finally a writing:

Selfie in the Interior: Narcissism and Its Cultural Critique

“Persistency of mirrors is known to everyone as a quality of re-demonstrating a looker, always, to the looker. Narcissism, “destined to oneself” (Merleau-Ponty, The Visible and the Invisible, 1968, 249, quoted by Derrida, Memoirs of the Blind, University of Chicago Press, 1993), is the plague of the modern times, critics fear. Self-portrait in the time of proliferation and ubiquity of technology emerges on a verge of narcissism and cultural critique of narcissism, as [that] what appears to be a result of the collaborative struggle between two discourses, disproving and supporting each other. The cultural critique of narcissism is a Narcissus itself: it is undetachable from the object at which it looks. Whenever Narcissus turns, it is always Narcissus that he sees. Whenever the conversation about selfies starts, inevitably someone points out or implies that it’s a morally questionable enterprise. (“Self portrait of NN knows it,” Derrida would have said.) Yet… What is there to be painted except for self-portrait? What is there to be taken if not selfie?”

Selfie is an ideal ruin. For tomorrow self is dead.

Visual Representation of Things

I think that the interest to the Soviet past has been not very intense or deep, but steady. It is paired with the interest to visual representation of things, to black-and-white photography, movies. There is a certain political request of re-imagining the Soviet past. Which is more about adding a little bit of a gloss to it than about critical re-evaluation. It is nostalgic and lyrical, as Svetlana Boym noted on a number of occasions.